A Review of Chinese Art - Essay Example

Art for the Peoples Republic of China is as complicated and as varied as history. How the world now perceives China resonates with a widened geographical region that has been under control, conquered, and divided by a succession of different peoples time and again in the course of time. The way I see it, China's art is unique because it gives more information about the dynasties. In addition to that, every artist was trying to express him or herself in a particular kind of way. This paper is going to give invaluable insights concerning how Chinese art is perceived on the international scene. In addition to that, it is worth mentioning that the insights given are with respect to my tour of the Art Institute.

The Art Institutes throng of Chinese pieces revolves around masterpieces that go way back approximately 5000 years ago, going from the most primitive indication of Chinese stonework and brickwork from the Neolithic period all the way to sophisticated private decorations of the late Bronze Age. In many ways than one the extraordinary collections of the earthenware tombs statues that portray the highest echelon of mortuary sculpture from the Han all the way through the Tang dynasties. Chinese art is fascinating because it earmarks all the events in the course of the country's history and the world at large.

The Art Institutes exhibition paints the changing history of China, together with the religion, and values. Within it one any one individual can go back in time and envision the growth and development of Buddhism, Confucianism, and Taoism within the Peoples Republic of China, alterations in the colonial yoke, and technical developments in the Art Institutes craftings.

If we were to look at Chinese Art from both admiration and a critical point we could see that the presence of paintings of questionable authenticity is never in itself out of the ordinary; every piece of artwork that defines Chinese painting has had its share of questionable authenticity. This nature of Chinese art can practically never be avoided so long as the study of oriental art is still afar of if it were to juxtapose it to Western art and its history.

What's more, it is very evident that Chinese art is compounded by the preoccupation of critiques like me; something that is evident from the accounts of other critiques as well. For example, the idea that the hundreds of the landscapes credited to Tung Chi (1555-1636) only a triad of them can be asserted to be trustworthy illustrations." This reality not only runs counter to a lot of knowledgeable opinions of Chinese art but is unable to find any kind authority.

In conclusion, Chinese art can be regarded as intricate as well as beautiful. It is as though they took more time to work on their pieces in comparison with their European counterparts. The reason why Chinese art is of value globally is that it represents the East just the same way Europe represents the West. The worldwide fuss about Chinese art can be verified by just how priceless these pieces are. In fact, the prices any one of these pieces would go for is mercantile; another way of saying that Chinese pieces are highly placed as Veblen goods because of their quality.

Works Cited

Baker, Hugh DR. "Book Review: The Family Model in Chinese Art and Culture." Bulletin of the School of Oriental and African Studies. University of London 78.1 (2015): 219.

Tythacott, Louise. "Review of The Great Chinese Art Transfer: How so Much of China's Art Came to America by Michael St. Clair, Rowman & Littlefield, 2016." The China Quarterly228.December (2016): 1140-1142.

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